964 Pinocchio (1991) is a disturbing Japanese cyberpunk horror film that pushes the boundaries of the genre. Directed by Shozin Fukui, the film follows Pinocchio 964, a lobotomized cyborg created as a sex slave who is discarded by his corporate owners when he malfunctions. As he wanders the streets of Tokyo in a catatonic state, he forms a connection with a mentally unstable woman, while the corporation that created him sends a ruthless assassin to eliminate their failed experiment.

The film is renowned for its relentless, chaotic energy and visceral body horror imagery. Fukui's direction creates a nightmarish atmosphere through disorienting camera work, industrial soundscapes, and grotesque practical effects that depict the fusion of flesh and machine. The performances, particularly from Hage Suzuki as the titular cyborg, are physically demanding and convey profound trauma and confusion without relying on dialogue.

While its extreme content and fragmented narrative won't appeal to mainstream audiences, 964 Pinocchio remains a significant cult film for fans of transgressive cinema and Japanese cyberpunk. It serves as a brutal critique of consumerism, dehumanization, and corporate control. Viewers should watch this film for its uncompromising artistic vision and its place in the history of underground horror and sci-fi cinema, offering an experience that is both intellectually challenging and viscerally shocking.